Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop
Matthew Barney - The Cremaster Cycle - Guggenheim 2002 - Saint-Martin Bookshop

Barney Matthew

Matthew Barney - The Cremaster Cycle - Guggenheim 2002

The Cremaster Cycle is filled with hundreds of Matthew Barney’s fantastical images and surveys the project, which uses the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series’ diverse themes and explore the artist’s innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney’s work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield’s “Cremaster Glossary” illuminates the films’ most far-flung references with citations from sources as diverse as Freud’s psychoanalytic studies, Mormon law and lore, and hardcore music fanzines.

508p - EN - 31,7x22,9cm - hardcover - very good condition