Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022
Olivier Spinewine - Le Pédiluve - Lustre 2022

Spinewine Olivier

Olivier Spinewine - Le Pédiluve - Lustre 2022

Olivier Spinewine draws feet, which form a series.
These feet often activate our ‘disgust fascination’.
As with arachnophobes, a ‘graded exposure’ is needed to try to (de)sensitise us to feet. The book “Le pédiluve” pursues this objective.

No metaphors, just feet in the open, their shape for our retinas and their little shock for our senses.