Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop
Chiharu Shiota - The Key in the Hand - Distanz 2015 - Saint-Martin Bookshop

Shiota Chiharu

Chiharu Shiota - The Key in the Hand - Distanz 2015

Black and red woolen yarns are the trademark staple in the art of Chiharu Shiota (b. Osaka, 1972; lives and works in Berlin). She arranges one or several objects—beds, garments, shoes, scissors—in a room and then envelops them in an expansive web of strings. With her installations, the artist, who studied with Marina Abramovic and Rebecca Horn, explores the great themes of human life: belonging, fear, birth and death. In recent years, Chiharu Shiota’s intensely physical art has drawn growing international attention. The associations evoked by her tangles of threads range from neural pathways and spider’s webs to protective cocoons.
In 2015, the Japan Foundation selected Chiharu Shiota to design the Japanese pavilion at the 56th Venice Biennale. The artist will realize a new installation titled “The Key in the Hand” made of two boats, red strings, and countless used keys she solicited from her viewers in a worldwide open call. The project is designed to intertwine her own memories with the recollections of the keys’ former owners and the visitors to the exhibition and inspire everyone to reflect on the meaning of life.
This book presents the Biennale piece as well as selected works Chiharu Shiota created between 1998 and the present. With essays by Hitoshi Nakano.

152p - EN/JP/IT - 23x28cm - hardcover - perfect condition