Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997
Gregor Schneider - Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997 - Mönchengladbach 1997

Schneider Gregor

Gregor Schneider - Totes Haus ur 1985-1997 - Museum Abteiberg 1997

Totes Haus ur / Dead House ur / Martwy Dom ur 1985-1997

Wall in front of wall, wall behind wall, corridor in room, room in room, wall in front of floor, floor above floor, ceiling beneath ceiling, lead around room, lead in the floor, light in room, cube in front of wall, red stone behind room, black stone in wall, piece of wall in front of wall, piece of wall beneath ceiling - many works of Gregor Schneider (b. 1969 in Rheydt) can be described as easily as he once has done in a list of his works. For 12 years, Gregor Schneider has been building in an inconspicuous, undated house in which he lives in Mönchengladbach-Rheydt walls in front of walls and rooms within existing rooms. The multitude of layers and the mass which the house has devoured over the years have led to even the artist being unable to reconstruct the original layout of the house without destroying it. However: Do invisible shifts and spatial superpositions also have an effect, do they alter our mood or our behaviour? In his search for places that are charged with energies of a past event, Gregor Schneider has time and again pursued the question pertaining to the way this radiation can be felt, remembered, suspected or imagined. No perceptual mode is excluded.
Texts by Adam Szymczyk, Veit Loers, Ulrich Loock und Brigitte Kölle

127p - GER/EN/PL - 26.7x20.2cm - softcover - binding damaged